{"created":"2023-06-20T15:28:25.443362+00:00","id":7481,"links":{},"metadata":{"_buckets":{"deposit":"75759f6a-4893-49a6-9fda-aaf7d3d102f5"},"_deposit":{"created_by":3,"id":"7481","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"7481"},"status":"published"},"_oai":{"id":"oai:ouj.repo.nii.ac.jp:00007481","sets":["470:394:433"]},"author_link":["9457","9456"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2006-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"119(24)","bibliographicPageStart":"132(11)","bibliographicVolumeNumber":"23","bibliographic_titles":[{"bibliographic_title":"放送大学研究年報"},{"bibliographic_title":"Journal of the University of the Air","bibliographic_titleLang":"en"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"　江戸時代には、木版印刷によってさまざまな文学作品が刊行されたが、それらの中でも徒然草は、わかりやすく教訓的な作品として、広く親しまれた。本文だけのものから、挿絵付きのもの、頭注付きのもの、詳細な注釈書など、徒然草はさまざまなスタイルで刊行されている。けれども、徒然草は文学作品として読まれただけではない。絵巻や色紙や屏風に描かれて、美術品・調度品としても鑑賞された。\n　本稿では、描かれた徒然草の中から、熱田神宮献納・伝住吉如慶筆「徒然草図屏風」と、米沢市上杉博物館蔵「徒然草図屏風」の二点を取り上げる。このたび、詳細に現物調査することによって、描かれた章段を特定することができた。前者は徒然草から一連の仁和寺章段を抽き出して描いた屏風、後者は徒然草から二十八場面を描いた屏風である。\n　この調査を踏まえて、それぞれの屏風の抽出章段の特徴や、図柄の描き方の特徴、屏風の制作目的などについても考察を加えた。さらに、絵巻や色紙に描かれる場合との違いを通して、徒然草が屏風に描かれることの意味と意義について考えてみた。","subitem_description_type":"Abstract"}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN10019636","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0911-4505","subitem_source_identifier_type":"ISSN"}]},"item_10002_textarea_25":{"attribute_name":"抄録（英）","attribute_value_mlt":[{"subitem_textarea_language":"en","subitem_textarea_value":"　Tsurezuregusa was widely read during the Edo period as it was considered to be a classic that contained easily understandable and instructive moral lessons to many. As a result it became the subject of picture scrolls, shikishi ( square of heavy decorative paper for painting and calligraphy ) and folding screens and was enjoyed as an art form. The study of Tsurezuregusa as works of art, however, has yet attracted serious consideration from modern scholarship.\n　The aim of this paper is to present some results from the research on two folding screens of Tsurezuregusa in the collections of the Treasure Repository of the Atsuta Shrine and of the Uesugi Museum in Yonezawa. The detailed examinations of these screens reveal that the former screen depicts three chapters from Tsurezuregusa ( Chapters 52, 53 and 54 ), while the subjects of the latter's pictures are identified as those from altogether twenty eight chapters in Tsurezuregusa.\n　Using these findings this paper further considers following questions: first, what were the criteria of selecting these chapters; secondly, whether these pictures faithfully followed the original texts; thirdly, what were the purposes of producing these two screens; and lastly, compared with contemporary picture scrolls and shikishi what was the distinctive significance of painting on folding screens."}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"島内, 裕子"},{"creatorName":"シマウチ, ユウコ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"9456","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"Shimauchi, Yuko","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"9457","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2013-06-14"}],"displaytype":"detail","filename":"23-010.pdf","filesize":[{"value":"4.8 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"23-010","url":"https://ouj.repo.nii.ac.jp/record/7481/files/23-010.pdf"},"version_id":"fe319d7d-dfe3-4610-ba89-4b224c6d3b3f"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"徒然草屏風の研究 : 「熱田屏風」と「上杉屏風」を中心に","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"徒然草屏風の研究 : 「熱田屏風」と「上杉屏風」を中心に"},{"subitem_title":"A study of the folding screens of Tsurezuregusa (Essays in Idleness) : with special references to the Atsuta and the Uesugi folding screens","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"3","path":["433"],"pubdate":{"attribute_name":"公開日","attribute_value":"2013-06-14"},"publish_date":"2013-06-14","publish_status":"0","recid":"7481","relation_version_is_last":true,"title":["徒然草屏風の研究 : 「熱田屏風」と「上杉屏風」を中心に"],"weko_creator_id":"3","weko_shared_id":3},"updated":"2023-06-20T16:18:10.677462+00:00"}